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・ Konstantin Soukhovetski
・ Konstantin Sovetkin
・ Konstantin Spodarenko
・ Konstantin Stanislavsky
・ Konstantin Staniukovich
・ Konstantin Stepaniuk
・ Konstantin Stepankov
・ Konstantin Stepanov
・ Konstantin Stoilov
・ Konstantin Sukhoverkhov
・ Konstantin Svechkar
・ Konstantin Syomin
・ Konstantin Talantsev
・ Konstantin Telegin
・ Konstantin Tereshchenko
Konstantin Thon
・ Konstantin Titov
・ Konstantin Tkachenko
・ Konstantin Tolokonnikov
・ Konstantin Trenchev
・ Konstantin Trenyov
・ Konstantin Treshchanskiy
・ Konstantin Tretiakoff
・ Konstantin Tretyakov
・ Konstantin Troyanov
・ Konstantin Tsiolkovsky
・ Konstantin Tsuranov
・ Konstantin Tupikov
・ Konstantin Turukin
・ Konstantin Umansky


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Konstantin Thon : ウィキペディア英語版
Konstantin Thon

Konstantin Andreyevich Thon, also spelled Ton ((ロシア語:Константи́н Андре́евич Тон); October 26, 1794 – January 25, 1881) was an official architect of Imperial Russia during the reign of Nicholas I. His major works include the Cathedral of Christ the Saviour, the Grand Kremlin Palace and the Kremlin Armoury in Moscow.
== Early life ==
Konstantin, born in St. Petersburg to the family of a German jeweller, was one of three Thon brothers who all rose to become notable architects. He studied at the Imperial Academy of Arts (1803–15) under the Empire Style architect Andrey Voronikhin, best remembered for his work on the Kazan Cathedral, situated right in the middle of the Nevsky Prospekt. He studied Italian art in Rome from 1819 to 1828, and on his return home was admitted to the academy as its member (1830) and professor (1833). In 1854, he was appointed rector of the architectural division of the academy.
Thon first attracted public attention with his sumptuous design for the interiors of the Academy building on the Neva embankment. In 1827, he submitted to the tsar his project of St Catherine church at the Obvodnyi Canal, the first ever design in the Russian Revival style. Nicholas I, who felt disaffected with the prevailing Neoclassicism of Russian architecture, remarked that "Russians have their own great art traditions and don't need to cringe before Rome". Thon's project was to become a revered model for other churches in St Petersburg and across Russia.

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